Digital Film Tools’ volumetric lighting aftereffect constituent Rays, aforetime alone accessible for Photoshop, Lightroom and Aperture, now works with the above nonlinear alteration applications from Adobe, Avid and Apple, including Final Cut Pro X. Other accepted volumetric furnishings plug-ins, like Red Giant’s Trapcode Lux 1.2, assignment alone in After Effects. This update, however, is acceptable account for the majority of editors and motion clear artists who run added than one affairs on a distinct workstation. If you consistently assignment with After Effects, Premiere Pro and Final Cut on one machine, for example, a distinct Application film/video constituent authorization lets you use it beyond those applications. A abstracted Application photo license, however, is appropriate to use the aboriginal adaptation of the constituent with Photoshop.
The fresh Application Video/Film plug-in, as you ability expect, is hardly added big-ticket than the aboriginal $50 Application Photo plug-in. But for $99, you get some nice ascendancy over the color, direction, breadth and accuracy of your rays, additional a cardinal of on-screen displays that accommodate sliders for selecting absolute values. You can additionally ascendancy Threshold (to atom area you appetite the application to be visible) or mix up your aftereffect with a randomize option.
Digital Film Tools architect Marco Paolini says he’s acquisitive to get acknowledgment from users of this fresh adaptation of Ray, which he says was a “clear accommodation for us.” The download, in fact, encourages users to accomplish use the 15-day chargeless balloon afore purchasing. A standalone adaptation of Application is additionally accessible in the Mac App store.